I did 10 years as a professional artist, it was the hardest I ever worked in my life, and in the end I gave it up because despite winning awards and having collectors around the world after becoming very good at it, it is very hard to manage and maintain an actual art business in a world that doesn’t take art very seriously, especially with rising costs of things like healthcare and general goods needed to produce work.
There’s a reason why when you go to a fine art museum half of the most famous works and most beautiful pieces that changed the culture of art and even our perception of the world, were made by people who died in abject poverty.
It’s wild we read stories like that and say “Wow that’s a shame, I wish we could have given that artist the accolades and support they needed to survive and know how important they were for the world.” But the moment someone says “Maybe we should support artists” suddenly it’s hand-wringing and whinging about “factory workers.”
This isn’t a question if Ireland’s policy makes you feel good or bad, it’s a question whether or not you think there should be art in the world at all and what you’re willing to accept or change or pay to have that world with actual art in it.
I did 10 years as a professional artist, it was the hardest I ever worked in my life, and in the end I gave it up because despite winning awards and having collectors around the world after becoming very good at it, it is very hard to manage and maintain an actual art business in a world that doesn’t take art very seriously, especially with rising costs of things like healthcare and general goods needed to produce work.
There’s a reason why when you go to a fine art museum half of the most famous works and most beautiful pieces that changed the culture of art and even our perception of the world, were made by people who died in abject poverty.
It’s wild we read stories like that and say “Wow that’s a shame, I wish we could have given that artist the accolades and support they needed to survive and know how important they were for the world.” But the moment someone says “Maybe we should support artists” suddenly it’s hand-wringing and whinging about “factory workers.”
This isn’t a question if Ireland’s policy makes you feel good or bad, it’s a question whether or not you think there should be art in the world at all and what you’re willing to accept or change or pay to have that world with actual art in it.